FREEMASONRY TODAY
Book Review

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TRACING BOARDS OF THE THREE DEGREES IN CRAFT FREEMASONRY
EXPLAINED
Julian Rees, Lewis Masonic, Hersham, 2009. Paperback, 96 pages, £12.99. ISBN 978-0-853183-34-1
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In this wonderfully illustrated book
Julian Rees explores the tracing
boards of the three Craft degrees. He
explains all the symbolism within each
Board and the meaning that this
symbolism conveys to Freemasons.
In doing so, Rees continually
touches base with elements of the
English Emulation Ritual and the three
important Emulation lectures. Taking
this route gives us the familiarity of a
well-trodden path before we strike out
into areas less familiar for there are, as
Rees cogently explains, deep layers of
meaning indeed within these artistically
depicted symbols; through them, a
profound vision seeks expression. Such
rich imagery, explains Rees, ‘may be
employed for focusing attention...as a
spiritual teaching tool, for establishing a
sacred space and as an aid to
meditation.’
But tracing boards did not just arise
arbitrarily as some sort of early
Victorian aide-mémoire: they have a
history. Their origins lie in the operative
architect’s plans. But we travel further
than we might expect: the plans
symbolised in these speculative masons’
floor-cloths, which then developed into
tracing boards, are those of the Great
Architect! Now, that is worth pondering
a moment.
Rees shows us more designs of
tracing boards than we will have even
imagined existed. He shows us designs
from Germany, Austria, France,
Belgium, Hungary, Scandinavia and the
United States. Some are very strange:
for example, the tracing boards created
by Lady Frieda Harris, an associate of
the magician Aleister Crowley and
designer of his ‘Thoth’ Tarot Cards.
They are wild, lingering on the edge of
chaos, hypnotic and talismanic; they
could not be more different to the boards
used in most English lodges. Rees
explains too that with the destruction of
masonic artefacts under Fascism and
Communism there is a renaissance of
design in central and eastern European
Freemasonry.
Studying our tracing boards quickly
makes us aware that the symbolism can
be read on many levels but at its deepest
it expresses the masonic journey and
that dynamic link between earth and the
heavens – symbolised by the image of
Jacob’s Ladder which is depicted upon
the tracing board of the First Degree, the
first an initiate sees.
It is clear that Lodge mentors need to
spend time working through the three
tracing boards with new initiates. Julian
Rees’ book is a good place to start.
Michael Baigent
Issue 51, Winter 2009
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